An artist contemplates a blank canvas or a white piece of paper in the studio or at a table, perhaps waiting for a memory or some inspiration to stimulate that first mark. What follows is an insight into either their viewpoint of the world or the inner workings of the artistʼs mind at that moment. Either way or whatever the impetus behind that initial gesture, the pristine surface and the bounds of the blank support are there to be broken through, in order to begin creating a window to another reality.
The rectilinear frame of a painting mimics that of a window, waiting to be filled in or opened up. The two-dimensional panel can be seen as an aperture to escape from or to burrow into and hide, while the lack of transparent panes of glass means both artist and viewer are required to insert or intuit their own vision of what lies on or behind the picture plane.